Tuesday, September 13, 2011

Re-introducing thought into the digital age

Finding Photographic Inspiration - from time to time, as photographers we need to think outside of the box to find inspiration or simple ideas for a good shot/technique. Here I've compiled a few suggestions to help think outside the norm and really re-introduce some though back into digital photography !

1.Fixed Focal Length - we have all become to used to the zoom, try to limited yourself to using a fixed focal length lens for a time- it'll really make you think about what your shooting and how. Try one length for a certain period then move onto the next and shoot only with that !



2.Limit yourself to an aperture - either shoot wide open or virtually shut, but again it'll really help you think what works in that particular aperture and what doesn't. It might alos throw up a few nice surprises !


3.1 roll rule - okay most of us use digital these day, but limit yourself to 36 shots - again we have got used to shooting from the hip - this will help you stop and think about how you REALLY want to shoot something !

The 3 ideas above are all really simple but aimed at bringing CRITICAL THOUGHT back into the digital age of Photography and at the same time will cut down on the bain of the digital age - the amount of time we all seem to spend in post processing !

Wednesday, September 7, 2011

Techniques to ensure you get a pin sharp image


One of the main differences between an amatuer and a Pro, is the regularity that a pro produces pin sharp images and the often unnerving way an amateur misses the mark with such enthusiasm. Here are 5 ways you can improve your photos, so you can look like you know what the heck you're doing:

1. Use a Tripod – The #1 reason 
The tripod isn’t just for low light situations. Pros will use a tripod even in daylight! The tripod’s main duty is to keep the camera stead. No camera shake, means the absence of unwanted blur. It is more work, but it’s worth the extra effort. If you’re in a setting where they don’t allow tripods, or at an event where using a tripod would mean you might miss the action, use a monopod. A monopod is also a sneaky way to get past the signs that say “no tripods”. If someone stops you, just say, “it’s a monopod,” and they’ll look at you totally stumped.
Don’t buy a cheap tripod either. They just don’t do a good job keeping the camera steady (that’s why they’re cheap, you know). If you buy a pro-quality tripod, they can range from $100 to more than $700. One thing to keep in mind is to get a ballhead when you buy your tripod. They cost anywhere from $100 to more than $400, but they will make your life so much easier.
2. Use a Cable Release or the Self Timer
When you press down on the shutter, it causes the camera to move — ever so slightly. It’s the sort of thing you might not notice when you’re taking the photo, but when you bring the photo onto your computer and zoom, it’s one of those things that makes the difference between the ultimate sharp photo.
A cable release is a cable that attaches to your digital camera (most dSLR’s) and has a button at the end of it. Your camera might also support a wireless remote.
If you don’t want to buy a cable release or wireless remote, you can also use your camera’s Self Timer. You will have to wait 2 to 20 seconds, depending on for what you set your camera, but the good news is, you don’t have to touch your shutter and no camera shake! And voila – your photos are more sharp!
3. Lock the Mirror
When I found out about this for the first time, I was like, you gotta be kidding me. Who knew?
It’s called Exposure Delay on a Nikon or a Mirror Lockup on a Canon. You’ll need to find out where this control is on your camera (err, check your manual). What does it do? It locks your mirror to the up position, so when you take a shot the mirror doesn’t move when the exposure is made. It helps get you closer to the sharpness perfection.

4. Turn off Image Stabilization (IS on a Canon) or Vibration Reduction (VR on a Nikon)
If you have an IS Canon Lens or a VR Nikon Lens, turn off the function. It sounds counter intuative, but you’ll only want to use it when you’re in really low-light situations when you need to hand-hold your camera. (Remember wherever possible use that tripod or monopod). But if you’re not hand-holding your camera in low-light, turn off that IS or VR. These lenses look for a small vibration so they can fix it. If they don’t feel a vibration, they can cause a little vibration. So for the sharpest photos, turn it off when you can.

5. Don’t Increase Your ISO.
If you can help it, don’t increase your ISO. Sometimes you do need it when you’re hand-holding in low light. But if you’re shooting on a tripod, keep your ISO at the lowest setting (100 or 200). The reason is, ISO adds noise… And noise equals the opposite of sharpness. You might not notice it if you’re placing your photos on a website where the resolution is 72dpi, but if you enlarge your photo or zoom in on your computer, you will be able to tell.

Even in daylight use a tripod where you can !



Happy and (more) sharp shooting !